Education

Caroline Wright Pfisterer is a dedicated musician
and educator currently pursuing a Doctor of
Musical Arts in Wind Conducting at the University
of Georgia. With a 4.0 GPA throughout both her
doctoral studies and her Master’s degree from the
University of Alabama, she has excelled in various
leadership roles, including Assistant Director of
Festivals Band and Doctoral Conducting Associate.

Caroline’s conducting experience spans a wide
range of ensembles, from the Wind Ensemble to
the Redcoats Marching Band, and she has taught
courses such as Introduction to Conducting and
Instrumental Techniques. She is also deeply
involved in community music education, having
served as a clinician and coordinator for honor
bands and workshops.

An accomplished conductor, Caroline has
performed internationally and received numerous
accolades, including the Osborne Fellowship and
the Mike Moss Conducting Grant. With a passion
for nurturing young musicians, she combines her
extensive teaching experience with a commitment
to excellence, fostering creativity and collaboration
in her students.

My approach

I have always been captivated by
musicality's intricacies and the power of
storytelling. My approach to crafting
compelling and unforgettable concerts is
rooted in my passion for creating
thought-provoking and immersive
community experiences that leave a
lasting impact on the audience. I look
forward to continuing to craft gripping
rehearsals and events that challenge,
entertain, and push the boundaries of
music education.

Symphonic Band | University of gEORGIA

Caroline Wright Pfisterer is a dynamic force in the world of
music education and conducting, known for her ability to
inspire and cultivate talent in diverse ensembles. With a
(tentative -2025) Doctoral of Musical Arts in Wind
Conducting from the University of Georgia and a Master’s in
Music Education, she combines rigorous academic
excellence with extensive practical experience. Caroline
skillfully navigates the realms of performance and pedagogy,
creating enriching musical experiences for students of all
ages.

Her time at prestigious institutions, including the University
of Alabama and Southeastern Louisiana University,
showcases her commitment to fostering a deep appreciation
for music through innovative teaching methods and engaging
conducting techniques. As a clinician and coordinator for
various music symposiums, Caroline not only leads but also
empowers the next generation of musicians, ensuring that
her influence resonates well beyond the podium.

With an impressive record of performances and
collaborations, including international engagements and
contributions to educational publications, Caroline continues
to push the boundaries of music education, leaving an
indelible mark on her community and the broader musical
landscape.

Creative process

Philosophy

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CV

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Concert Footage

Frank Ticheli

Cajun Folk Songs

Steven Bryant

Suite Dreams

Andrew Boyson

Song for Lyndsay

Cajun Folk Songs is composed as a tribute to the
people of the old Cajun folk song culture with the
hope that their contributions will not be forgotten.

Suite Dreams is the fourth work in Bryant’s Parody
Suite, a collection of loving tributes to wind band
classics.

Song for Lyndsay was commissioned by Jack
Stamp at Indiana University of Pennsylvania. It is
an expansion on a short and unnamed piano
piece that Boysen wrote for his wife, Lyndsay, in
2005.

David Biedenbender

Melodious Thunk

As the title suggests, Melodious Thunk was
inspired by the famous jazz pianist Thelonious
Monk. There are no direct quotes from the music
of Monk, although a short fragment from Dizzy
Gillespie’s tune Salt Peanuts is used.

Omar Thomas

Shenandoah

Shenandoah is one of the most well-known and
beloved American folk songs. Originally a river
song detailing the lives and journeys of fur traders
canoeing down the Missouri River, the symbolism
of this culturally significant melody has been
expanded to include its geographic namesakes.

Pavel Tchesnokov

Salvation is Created

Salvation Is Created is a choral work composed by
Pavel Tchesnokov in 1912. It was one of the very
last sacred works he composed before he was
forced to turn to secular arts by the Soviet
government.

Rehearsal Footage

Licolnshire Posy - Percy Grainger

Rehearsal 2

Take a look as Caroline gets the opportunity to
rehearse with the University of Georgia’s Wind
Ensemble through the first and second
movements of Percy Grainger’s Lincolnshire
Posy.

Richard Wagner

Elsa’s Procession to the Cathedral

During this rehearsal, Caroline felt the
ensemble was experiencing a moment of
‘drag’ or lack of intentionality. They were able
to change the direction of the rehearsal to
work on motivation, and remember their ‘why’
is.

This guide emphasizes the importance of
preparing a brief introduction and key talking
points for your first concert director, focusing
on establishing rapport with parents,
explaining concert etiquette, and highlighting
students' achievements.

Caroline was recognized as a top graduate in
the College of Arts, Humanities, and Social
Sciences at Southeastern Louisiana University,
highlighting her exceptional academic
achievements. This honor reflects her
commitment to excellence and her contributions
to the university community.

What to say at your Concert: A Crash
Course in Public Speaking

SLU College of Arts, Humanities and
Social Sciences Honors Top Graduates

Teaching Music Magazine

The Advocate

Publications

Redcoat Veterans Show 2023

Show 3 Designer 2025

The University of Georgia’s 2023
Veteran Half Time Show

The Redcoat Marching Band Show
Design Coordinator

Drill Design

Upcoming
Clinics

Contact

Caroline Wright Pfisterer

wright4653@gmail.com